Newsletter

Looking back at CHARM (Nicholas Cook)
The CHARM website
Delineating creativity in music performance (John Sloboda)
Project updates:
- Creation of web-based discographical resources: discography project (Daniel Leech-Wilkinson)
- Analysing motif in performance (Neta Spiro & John Rink)
- Expressive gesture and style in Schubert song performance (Daniel Leech-Wilkinson)
- Style, performance, and meaning in Chopin's mazurkas (Nicholas Cook)
- The recording business and performance, 1925-32 (David Patmore)
Musicians of Britain and Ireland, 1900-1950 (Nick Morgan & Daniel Leech-Wilkinson)
Playing with recordings: CHARM's final symposium (Ananay Aguilar)
Building a library: Winterreise (Daniel Leech-Wilkinson)
Second special CHARM issue of Musicae Scientiae
Listening to Chopin: perspectives on a mazurka in performance (Neta Spiro & John Rink)
The Changing Sound of Music: Approaches to Studying Recorded Musical Performance
Publications update
Presentations update
End of an era?
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Symposium 5: cultures of recording (Ananay Aguilar)
Plus ça change? In how many different ways can Chopin's Mazurka Op. 24 No. 2 be performed and why? (Neta Spiro, Nicolas Gold & John Rink)
Who we are
Notes from CHARM's Transfer Engineer (Andrew Hallifax)
Alan Kelly awarded ARSC's Lifetime Achievement Award
CHARM RMA Annual Conference: musicology and recordings (Miriam Quick & Amy Carruthers)
CHARM associated doctoral students:
- Recording the practices of classical music (Ananay Aguilar)
- Sir Charles Mackerras: live performance - studio recording (Amy Carruthers)
- Recordings and salient texts as sources in the study of performance style: extracts from research in progress (Abigail Dolan)
- Hacking into the thickets (Nick Morgan)
- Navigating musical space-time: expression and movement in music (George Papageorgiou)
- Modernity on record (Miriam Quick)
- A note on Grieg (Georgia Volioti)
Sonic Visualiser update
Musicae Scientiae abstracts
The Cambridge Companion to Recorded Music
Project updates:
- Creation of web-based discographical resources
- Analysing motif in performance
- Expressive gesture and style in Schubert song performance
- Style, performance, and meaning in Chopin's mazurkas
- Recording and performance style
Try out some CHARM transfers
Copyright update
CHARM in second life
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Purely coincidental? Joyce Hatto and Chopin's mazurkas (Nicholas Cook & Craig Sapp)
Staff changes
Who we are
A subjective objective (Andrew Hallifax)
Reflections on a symposium (Georgia Volioti)
Training materials for Sonic Visualiser
Copyright update
Life beyond CHARM: the AHRC Research Centre for Musical Performance as Creative Practice (John Rink)
Credit where it's due: the National Gramophonic Society (Nick Morgan)
Special CHARM issue of Musicae Scientiae
The CHARM library (Francis Knights)
Project updates:
- Designing the CHARM discography interface (Francis Knights)
- Mazurkas project update (Nicholas Cook)
- Recording and performance style (David Patmore)
Presentations and publications
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Digging beneath the grooves: the European recording industry during the inter-war years (David Patmore & Eric Clarke)
Staff changes
Studentship news
Who we are
Art of record production conference/CHARM symposium 2 (Abigail Dolan)
WestFocus seminar: teaching resources for recorded music (Poly Victoros)
Interview with Alan Kelly (Francis Knights)
Copyright news (Nicholas Cook)
CHARM symposium 3: transfer and the recording as historical document (Amy Carruthers)
Transfer studio
Project updates:
- The CHARM web project (Daniel Leech-Wilkinson)
- Expressive gesture and style in Schubert song performance (Daniel Leech-Wilkinson)
- Style, performance, and meaning in Chopin's mazurkas (Nicholas Cook)
Presentations and publications
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CHARM